Open Monument Day offers the opportunity to learn more about this early example of modern industrial architecture and its transformation into a private collection and exhibition house for contemporary art. After several years of standstill, the factory building found a completely new purpose in 2007 as a cultural venue and private exhibition house for contemporary art.
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The Berlin architectural office Kuehn Malvezzi was responsible for the conversion into an exhibition house. The exhibition house of JSC Düsseldorf was built in 1907 as a four-storey factory building for Die Bühne GmbH and acquired by the collector Julia Stoschek in 2005. A short description of your research project and reason for your visit.Please register by e-mail to indicate the following: (by appointment only, four weeks in advance). These are augmented by handbooks, exhibition catalogues, monographs, specialized and theoretical texts, and lexica with a focus on time-based art and media, photography, the art market, exhibition practice, and archiving practices for time-based artefacts in the context of museums and collections. The holdings include important source material for research suchĪs crucial art-theoretical publications on philosophy and aesthetics. The reference library contains over four thousand publications on art of the twentieth and twenty-first centuries. The collection’s spectrum ranges from works of the 1960s, including pieces by Bruce Nauman, Carolee Schneemann, Jack Smith, and VALIE EXPORT, to contemporary works by Arthur Jafa, Anne Imhof, and Kandis Williams. The first session on 12 November will be held at JSC Düsseldorf, and the second session on 26 November will be a video seminar.įrom mid-October, the JSC Research Center at the Düsseldorf location of the JULIA STOSCHEK FOUNDATION enables visitors to consult Julia Stoschek’s entire collection of time-based media art and to do research in the library. Please send your application, including a short explanation of your motivation and CV, to by 31 October 2021. The workshop is aimed at students, and participation is limited. She studied art history at Heinrich-Heine-Universität in Düsseldorf (M.A.) and Museum Studies at the University of Sydney. She has worked at the JULIA STOSCHEK FOUNDATION since 2008, and she has been the director of JSC Düsseldorf & Collection since 2019. Since 2005 he has worked as a consultant to the JULIA STOSCHEK FOUNDATION on all matters regarding the conservation and long-term archiving of media art.Īnna-Alexandra Pfau is an art historian who specializes in time-based media art. Conducted by the independent media conservator Andreas Weisser and the head of JSC Düsseldorf & Collection Anna-Alexandra Pfau, the workshop on 12 and 26 November will give insight into special aspects regarding the acquisition and long-term archiving of time-based media art and present the storage space of JSC Düsseldorf, which is unparalleled in Europe.Īndreas Weisser has been a certified restorer with a focus on time-based media since 2003. The workshop complements the newly established JSC Research Center, in which the complete holdings of Julia Stoschek’s collection and library can be consulted for research purposes.Īs one of the most important private collections of time-based media art in the world, the fundamental work of the JULIA STOSCHEK COLLECTION entails collecting and archiving this type of art.
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The JULIA STOSCHEK FOUNDATION is pleased to offer a two-part, free workshop on Collecting and Archiving Time-Based Media Art at JSC Düsseldorf on 12 and 26 November 2021. UNLEASH THE BEAST was supported by the Hessische Kulturstiftung, the Kunststiftung NRW and the Filmwerkstatt Düsseldorf.Ĭatherina Cramer is a LKART studio scholar 2019, a program initiated by JSC in 2018. In a partly humorous way, an improvised dialogue is thus created in combination with text fragments from Franz Kafka’s Report for an Academy, which critically questions the Hagenbeck company’s entanglements in the 19th century wildlife trade. In response to her own experience, she founds a protest movement that campaigns for the rights of wild animals. The protagonist reveals that she was captured against her will by the founders of the famous Hagenbeck Zoo, shipped to Hamburg and performed there in a vaudeville show.
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CHAPTER II-HAGENBECKS ZOO (2021) is the second part of the multi-part video series UNLEASH THE BEAST by Catherina Cramer and Giulietta Ockenfuß, which deals with questions of origin and identity.īased on real and fictional interviews as well as the use of found footage, Part II follows a water monkey’s search for her own biography.